Theatre Alba at the Edinburgh Festival Fringe 2000
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By a major Scottish playwright, author of THE BEAUTIFUL GEMME and WAITING FOR BABY, the premiere of . . .
Theatre Alba poster Polish Eagle ImageJOSEF
by Raymond Ross

Directed by 
Charles Nowosielski
Musical direction by 
Corinne Harris 

INTENSE STUDIO DRAMA, LIVE MUSIC, ARCHIVE FOOTAGE, DREAM SEQUENCES


PART OF THE NEW HERITAGE OF SCOTLAND

A deeply moving and theatrical portrayal of extraordinary love.
Scottish Theatre Josef Image 7

With sensitively drawn characters, much humour, passion and wit , JOSEF explores issues of racism and identity in war and peace. Set in 1970s and 1980s Scotland, pre-war and wartime Poland 

An alleged theft, a police interrogation and a violent robbery give rise to issues of crime and punishment set against the background of the 1980s miners' strike.

JOSEF is an exploration of memory, history and dream, across a shared cultural territory which belongs to the people of Scotland and Poland, inspired by Ross' Polish father, exiled to Scotland during World War II
 

Josef is a Polish-Scot, a retired shopkeeper who is arrested for shoplifting. Of the two detectives who interrogate him, one has something to hide. Missing files, intrigue and mystery surround a violent robbery in the past.
Partially disabled and traumatised, Josef's childhood memories are triggered: the fate of his family, his escape from Poland, meeting Bridget his Scots-born wife. Eventually hospitalised, Josef confides in a young doctor, but can she be trusted to keep his secret? Is it easier

to forgive than forget? YEAR 2000

The Netherbow Arts Centre
READ THE REVIEWS


Scottsih Theatre Josef Image 6
Jeffrey Daunton (Josef) and Douglas Russell (SS officer)
YEAR 2000
The Netherbow Arts Centre

Plays by Raymond Ross
Raymond Ross - Biography
Historical Background to the Play

Corinne Harris - Biography

JOSEF was written with the assistance of  a SAC Writers' Bursary awarded by the Scottish Arts Council's Drama Committee in 1998. 
A dramatised, public reading at the Traverse Theatre on November 16th 1999, was funded by the Scottish Arts Council through SAC Associate Literary Director Tom McGrath, who presented the reading which was directed by Nick Bone.

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CHARLES EDWARD STUART: A Prince Without a Realm

PLAYS BY RAYMOND ROSS - in chronological order

The Beautiful Gemme- Commissioned by Gallus Stage Productions
A satirical show about football in Scotland and the state of the nation

Netherbow Arts Centre Edinburgh and Glasgow Mayfest 1989
SAC funded Scottish tour 1990
Scottish tour with Scots Wahi 1993

Waiting for Baby-Commissioned by Gallus Stage Productions
A contemporary black comedy set in a father's waiting room in a maternity hospital

Netherbow Arts Centre Edinburgh 1990
Scottish Tour 1991
The Massacre of Tranent -
SAC commission for the Brunton Theatre Musselburgh

Historical play dealing with massacre of local miners and others

during anti-militia agitation in Scotland 1790s

Brunton Theatre 1991
Cry Witch! - Commissioned by West Lothian Youth Theatre
Based on 17th century witch hunt in Mid Calder area

Livingston 1991
Edinburgh Festival Fringe 1991
The Haunting of Billy Marshall - Commissioned by Gallus Stage Productions
The story of the Caird of Barullion, the 17th century king of the Galloway gypsies

Netherbow Arts Centre, Edinburgh Festival Fringe 1991
Scottish Tour 1991
The Shale Bairns- Commissioned by West Lothian Youth Theatre
Historical play set during bitter strike in the West Lothian shale oil fields late 19th century

Livingston 1993
Edinburgh Festival Fringe 1993
Scots Wahi! - Commissioned by Brouhaha International Festival
Satirical show about Scottish culture, politics, pretensions and history

Merlin Theatre Budapest Hungary 1993
Scottish tour 1993
Derry Playhouse, Derry City, Ireland for Celtic Isles Festival 1994
Edinburgh Festival Fringe 1994
King of the Witches-SAC commission for Brunton Theatre Musselburgh
King James VI and the North Berwick witch hunt

Brunton Theatre 1995
The Deil's Merk- Commissioned by Shoestring TIE
Cabaret style show about the history of witch persecutions in Scotland

Edinburgh schools tour 1995
The Wee Magic Stane- Commissioned by West Lothian Youth Theatre
The Stone of Destiny and the Wars of Independence

Livingston 1995
Edinburgh Festival Fringe 1995
We Are The Hibees! -SAC commission for a Brunton/Gallus co-production
The story of Hibernian F.C.

King's Theatre Edinburgh 1996
Burns for Breakfast-Commissioned by Gallus Theatre Company
An morning audience with the Bard Robert Burns

Edinburgh Festival Fringe 1996 and 1997
Edinburgh Folk Festival 1998
Paisley Arts Centre 1999
The Jock Stein Story - Commissioned by the Pavilion Theatre Glasgow
The life and times of the legendary Celtic and Scotland football manager

Pavilion Theatre 1997
Sleeping Dogs Wake-Commissioned by the Bowhouse Project
A black comedy about bikers, drugs and fire-raising

Edinburgh Festival Fringe 1997
Trainers - Commissioned by the Children's Panel
Short (comic) play exploring issues of responsibility and behaviour set in a classroom

WLYT productions for Children's Panel Scotland AGM 
and Aberdeen CP 1997
Kilmarnock YT for Ayr CP 1998
WARP - Commissioned by West Lothian Council
Satirical short for anti-racism year (WARP = West Lothian Association for Racial Purity)

WLYT productions in Livingston 1997
Chasing Perfection-Commissioned by
Castlebrae Community High School/George Watson's College Theatre Partnership

A comedy about relationships and responsibilities introducing

the world's first cloned human being, a girl called Perfection

Theatre Workshop Edinburgh and Castlebrae CHS Craigmillar 1998
The Sin Bin - Commissioned by Moray House College (Edinburgh University)
Satirical short about school exclusions

Produced by WLYT for Head Teachers' Conference on Social Exclusion Edinburgh 1998
Robert Burns' Hidden Edinburgh - Commissioned by Netherbow Arts Centre Edinburgh
A walking tour through Edinburgh's Old Town led by Robert Burns

An Actours production Edinburgh Festival Fringe 1998 & 1999
Back to Basics- Commissioned by the Scottish Community Education Council
Comic short about citizenship and ethos in schools

Produced by WLYT for SCEC International Citizenship Conference -
Edinburgh 1998, 
Stramash International Youth Festival Livingston 1998 
Lothian & Borders Police schools conference Dalmeny House 2000
Johnny Be Bad -Commissioned by EVENT
for the official celebrations on the Opening of the Scottish Parliament July 1st 2000

A mini rock-opera about youth and social issues

Craigmillar Youth Theatre on the Rock Stage Princes Street Gardens July 1st 2000
From the Top of Cairnpapple -Commissioned by West Lothian Council
The local authority's Millennium Dome "Our Town" story -the history

and character of the county - a 20 minute folk/rock/rap musical

Under the auspices of WLYT, 25 P7 pupils perform at Howden Park Theatre Livingston for schools and public audiences June 2000, then taking it to the London Millennium Dome Sept 4th 2000
Raymond has also written pantomimes for King's Theatre Edinburgh, King's Theatre Glasgow, Ayr Gaiety Theatre and Brunton Theatre Musselburgh.

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Historical background to JOSEF

The play is based around the life of Raymond's father, Stefan Raszkowski (1910 -1990), a member of the Free Polish Forces (Polish RAF) whose name was changed to Ross when he naturalised as a British citizen as did many Poles who feared, after the Yalta Agreement (or Sell-Out) that they would be repatriated to Stalin's death camps. They knew who was responsible for mass graves in the forest of Katyn.

Appeasing Stalin, in July 1945 - two years to the day (July 5th 1943) when the plane carrying the leader of the Free Polish Forces, General Sikorski, mysteriously dived into the sea off Gibraltar -  the British and US governments no longer recognised the exiled Polish government in London.

Overnight the Polish forces- whose airforce alone had numbered some 17,000 men and women and whose 303 Squadron had the highest record of enemy hits during the Battle of Britain - became what one English Judge called "the largest illegal private army ever known in Britain."

A concerted racist campaign- which included not only the Communist Party (CPGB) but also Labour and the TUC - told those who had been greeted as heroes in the early years of the war "Poles Go Home" and "England for the English".

Almost a lone voice, George Orwell described this orchestrated campaign as "the contemporary equivalent of anti-semitism".

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