|
Josef is a Polish-Scot, a retired shopkeeper who is arrested for shoplifting. Of the two detectives who interrogate him, one has something to hide. Missing files, intrigue and mystery surround a violent robbery in the past. Partially disabled and traumatised, Josef's childhood memories are triggered: the fate of his family, his escape from Poland, meeting Bridget his Scots-born wife. Eventually hospitalised, Josef confides in a young doctor, but can she be trusted to keep his secret? Is it easier to forgive than forget? YEAR 2000 The Netherbow Arts Centre READ THE REVIEWS
The Netherbow Arts Centre Plays by Raymond Ross
|
| PLAYS
BY RAYMOND ROSS - in chronological order
The Beautiful Gemme-
Commissioned by Gallus Stage Productions |
| Waiting for Baby-Commissioned
by Gallus Stage Productions A contemporary black comedy set in a father's waiting room in a maternity hospital Netherbow Arts Centre Edinburgh 1990 Scottish Tour 1991 |
| The Massacre of Tranent
- SAC commission for the Brunton Theatre Musselburgh Historical play dealing with massacre of local miners and others during anti-militia agitation in Scotland 1790s Brunton Theatre 1991 |
| Cry Witch! - Commissioned
by West Lothian Youth Theatre Based on 17th century witch hunt in Mid Calder area Livingston 1991 Edinburgh Festival Fringe 1991 |
| The Haunting of Billy
Marshall - Commissioned by Gallus Stage Productions The story of the Caird of Barullion, the 17th century king of the Galloway gypsies Netherbow Arts Centre, Edinburgh Festival Fringe 1991 Scottish Tour 1991 |
| The Shale Bairns- Commissioned
by West Lothian Youth Theatre Historical play set during bitter strike in the West Lothian shale oil fields late 19th century Livingston 1993 Edinburgh Festival Fringe 1993 |
| Scots Wahi! - Commissioned
by Brouhaha International Festival Satirical show about Scottish culture, politics, pretensions and history Merlin Theatre Budapest Hungary 1993 Scottish tour 1993 Derry Playhouse, Derry City, Ireland for Celtic Isles Festival 1994 Edinburgh Festival Fringe 1994 |
| King of the Witches-SAC
commission for Brunton Theatre Musselburgh King James VI and the North Berwick witch hunt Brunton Theatre 1995 |
| The Deil's Merk- Commissioned
by Shoestring TIE Cabaret style show about the history of witch persecutions in Scotland Edinburgh schools tour 1995 |
| The Wee Magic Stane-
Commissioned by West Lothian Youth Theatre The Stone of Destiny and the Wars of Independence Livingston 1995 Edinburgh Festival Fringe 1995 |
| We Are The Hibees! -SAC
commission for a Brunton/Gallus co-production The story of Hibernian F.C. King's Theatre Edinburgh 1996 |
| Burns for Breakfast-Commissioned
by Gallus Theatre Company An morning audience with the Bard Robert Burns Edinburgh Festival Fringe 1996 and 1997 Edinburgh Folk Festival 1998 Paisley Arts Centre 1999 |
| The Jock Stein Story -
Commissioned by the Pavilion Theatre Glasgow The life and times of the legendary Celtic and Scotland football manager Pavilion Theatre 1997 |
| Sleeping Dogs Wake-Commissioned
by the Bowhouse Project A black comedy about bikers, drugs and fire-raising Edinburgh Festival Fringe 1997 |
| Trainers - Commissioned
by the Children's Panel Short (comic) play exploring issues of responsibility and behaviour set in a classroom WLYT productions for Children's Panel Scotland AGM and Aberdeen CP 1997 Kilmarnock YT for Ayr CP 1998 |
| WARP - Commissioned
by West Lothian Council Satirical short for anti-racism year (WARP = West Lothian Association for Racial Purity) WLYT productions in Livingston 1997 |
| Chasing Perfection-Commissioned
by Castlebrae Community High School/George Watson's College Theatre Partnership A comedy about relationships and responsibilities introducing the world's first cloned human being, a girl called Perfection Theatre Workshop Edinburgh and Castlebrae CHS Craigmillar 1998 |
| The
Sin Bin - Commissioned by Moray House College (Edinburgh University)
Satirical short about school exclusions Produced by WLYT for Head Teachers' Conference on Social Exclusion Edinburgh 1998 |
| Robert Burns' Hidden Edinburgh
- Commissioned by Netherbow Arts Centre Edinburgh A walking tour through Edinburgh's Old Town led by Robert Burns An Actours production Edinburgh Festival Fringe 1998 & 1999 |
| Back to Basics- Commissioned
by the Scottish Community Education Council Comic short about citizenship and ethos in schools Produced by WLYT for SCEC International Citizenship Conference - Edinburgh 1998, Stramash International Youth Festival Livingston 1998 Lothian & Borders Police schools conference Dalmeny House 2000 |
| Johnny Be Bad -Commissioned
by EVENT for the official celebrations on the Opening of the Scottish Parliament July 1st 2000 A mini rock-opera about youth and social issues Craigmillar Youth Theatre on the Rock Stage Princes Street Gardens July 1st 2000 |
| From the Top of Cairnpapple
-Commissioned by West Lothian Council The local authority's Millennium Dome "Our Town" story -the history and character of the county - a 20 minute folk/rock/rap musical Under the auspices of WLYT, 25 P7 pupils perform at Howden Park Theatre Livingston for schools and public audiences June 2000, then taking it to the London Millennium Dome Sept 4th 2000 |
| Raymond has also written pantomimes for King's Theatre Edinburgh, King's Theatre Glasgow, Ayr Gaiety Theatre and Brunton Theatre Musselburgh. |
Historical background to JOSEF
The play is based around the life of Raymond's father, Stefan Raszkowski (1910 -1990), a member of the Free Polish Forces (Polish RAF) whose name was changed to Ross when he naturalised as a British citizen as did many Poles who feared, after the Yalta Agreement (or Sell-Out) that they would be repatriated to Stalin's death camps. They knew who was responsible for mass graves in the forest of Katyn.
Appeasing Stalin, in July 1945 - two years to the day (July 5th 1943) when the plane carrying the leader of the Free Polish Forces, General Sikorski, mysteriously dived into the sea off Gibraltar - the British and US governments no longer recognised the exiled Polish government in London.
Overnight the Polish forces- whose airforce alone had numbered some 17,000 men and women and whose 303 Squadron had the highest record of enemy hits during the Battle of Britain - became what one English Judge called "the largest illegal private army ever known in Britain."
A concerted racist campaign- which included not only the Communist Party (CPGB) but also Labour and the TUC - told those who had been greeted as heroes in the early years of the war "Poles Go Home" and "England for the English".
Almost a lone voice, George Orwell described this orchestrated campaign as "the contemporary equivalent of anti-semitism".